Current Work In Progress

I haven't been posting much lately but not because of not painting. I've finished off about 3 or 4 paintings but they were versions based on a particular painting and I don't want to post 5 similar paintings on here. Also...the normal things that life brings, family and winter storm damage has kept me busy too. Winter storms bring not only bring rain but high winds which knock branches, and at times, trees down. We also have our usual bout of water getting into the barn and workshop so it can get really busy around here with back to back storms.

Bandon WIP...working title

So anyway....this is a painting I'm working on right now. Figured I needed to post something. This scene is from the coastal town of Bandon, Oregon. I passed through it on my way back from Coos Bay last year. Beautiful small town with great fish and chips, crab, quaint little shops and nice marina and waterfront. I haven't painted hardly any sailboats so I thought this one being worked on would do. Hard to not love the lines of a sailboat even if you are a powerboat person. I should have this one finished in another day or two. This image isn't the greatest since it was taken with a diiferent camera...my normal camera had a dead battery and it's charging now. I'm trying to keep my edges soft but my marine work always has a totally different look than my landscape work. I'll go back in the end and try and soften up some more on it.

A Detail of the painting....

Well...back to the easel...I want to get everything painted in so I can get to the part of dialing it all in. This one is taking forever to do...usually the marine pieces always take days to do. It's all of that detail and line work. I'd like to paint them looser but that never happens with me. I think I'm just going to have to live with my work like that, at least for now.

Wildling Museum Demo

The Wildling Museum, Los Olivos, CA

As forecasted, rain Saturday and Sunday this weekend, the weekend of the demo I would do at the Wildling Museum in Los Olivos. Watching the weather channel we knew the rain was on it's way and the weatherman was right on the money.

When Linda and I arrived to set up it was dry still but overcast and cold. Needless to say very few people came to the event put on by all of the art venues in town with artists giving demonstrations at various locations. At the museum I would guess maybe 50 people came by but I think the cold kept them moving to take things in before heading for home. I met some nice people and a few of the other artists stopped by to talk. The rain came and I came away with a decent eucalyptus painting and went home a little wet and with some freezing hands and feet.

Brrrrrr! Doesn't look that cold huh...ya had to be there. I forgot to tell Linda to take the flash off so there is a bad glare here on the painting. One artist came by and turns out she lived in Hawaii at the same time that Linda lived there and her daughter went to the same school as Linda's daughter....small world. A photographer showing at the coffee shop came by and all 4 of us had a lot of laughs. It was nice to be out hanging with artist friends.

This is a better pic of the painting...pretty common subject with me lately, these eucalyptus trees, I'm messing with various color strategies. The sky doesn't show well here but it is this nice greenish blue blending into a light violet towards the bottom...too subtle to show good in this pic. I don't know what is up with my digital camera that has worked great for the last 4 years...might be time to get another one with more megapixels. That little camera (old faithful) gets good details of anything under 16x20 but it's just not taking good images of the larger paintings. This painting is an 18x24 so the details get blurred. Lots of distractions out there today and there are things I might change on this one but overall I'm pretty happy with how the painting came out. As for the day spent there, well, sometimes nature works with you and sometimes it doesn't. Despite the cold I think we all had a fun time of it.

Santa Ynez Valley Morning

"Valley Morning"

9" X 12" Oil on Canvas
Just a quick painting that I painted this morning while looking out of my backdoor and seeing this scene. It was a small section of the landscape visable and took about 1, 1/2 hours. I didn't have time to work on a larger piece since I need to get ready for the demo tomorrow at the Wildling Art Museum. Come on out, it's going to rain, thunder and probably be windy! hahaha. Why do a demo on a good day right? hahaha. I heard the forecasted rain for this weekend a few days ago but that's ok...the museum has a large wrap around porch and even it it got that ugly they offered a room inside...but I like it outside. We'll see what happens.

Figueroa Mountain Foothills

"Foothills Of The Figueroas"

12"x16" Oil on Canvas
This painting was started as more of a sketch to practice dialing in warm colored grasses but eventually worked it's way to a more completed painting. I also used this piece to experiment with atmosphere and depth wanting to get more of a "thickness" in the air across the valley. I didn't overly push that thickness in the air because I just wanted it to evident in the painting and not overbearing. My reference photo had a more crisp look to it since the air is so clean and clear up here so I added what's in the painting. I'm happy with the results and that's what is more important than the actual capturing of what was there in the photo.

Painting Demo - Los Olivos, CA

For any of you who live within driving distance to Los Olivos, CA (just above Santa Barbara), I will be doing a painting demo at the Wildling Art Museum. My demo will be part of the Artist And Easels day long show in the sleepy town of Los Olivos.
If you enjoy good wine, great art and a small town atmosphere then this is a good show for you. There will be many artists throughout the town giving demos.
My demo will be between 11 and 3 at the Wildling Art Museum. There is a great coffee shop next door so it can't get better than that! If you have some spare time please come by and have a fun day enjoying art.

Saturday, March 19, 11-3

The Wildling Art Museum... 2928 San Marcos Ave., Los Olivos, CA (805) 688-1082

Alla Prima Painting

"Misty Eucalyptus Trees"

12" X 16" Oil on Canvas
This painting was done alla prima tonight in about 2 hours. I wasn't really racing to finish it or paint alla prima to begin with...it just turned out to be an alla prima painting in a couple of hours which is always nice. I did this one more as a study than anything since I wanted to try out some different background color mixes for the sky. I made this sky with a mix of white, cerulean blue and a dab of cad yellow light added to that blue mix in the lower part of the sky. I wanted a greenish look to it because I wanted to paint the background trees with a slightly darker mix of that lower sky color. This always gives the painting a nice hazy, almost foggy look in the distance. I wish the green showed better here, it's a subtle mix as it rises into the cerulean upper sky and looks pretty cool when you're standing in front of it. Cerulean blue and cad yellow gives a really nice pale green but it requires very little cad yellow since that color is so intense.

Spring In California

"Spring In California"

24" X 30" Oil on Canvas
I painted this scene over a year ago on an 8"x10" canvas. The painting came out pretty nice so I entered it in a California Art Club show and it sold. I honestly didn't think it would sell and had planned on using the painting as a reference to paint a larger version. Luckily I had taken a good photo of it so the other day I got that out and used it as my ref. I went larger and also made some changes to the painting. The original had a lot of poppies in the foreground but the last few paintings I've done had poppies so I didn't want to paint those again. I like this version and think it is going to look very nice in a frame.

California Landscape Painting

"California Spring Landscape"

12" X 16" Oil on Canvas
We've had rain for the last two days which I imagine has given me the inspiration to finally finish up this painting. I had started it before the new year arrvied but lost the inspiration to give it a good finish due to other things going on. Eventually it sat leaned against a wall drying and making me feel guilty for not finishing it every time I saw it. With the rain here I decided it was as good a time as any to finish up. Now the only guilt I have is in letting it sit for so long driving me crazy. Some paintings are after your soul.
No specific location for this one, it is just a typical scene of what the area looks like along the central coast of California. Oaks dominate the landscape of rolling hillsides and in spring the wildflowers will carpet the grass lined valleys.

Nipomo Eucalyptus Tree

"The Sappling"

20" x 24" Oil on Canvas
Another scene up in the stand of eucalyptus trees in Nipomo, CA. I love this spot for getting great shots of eucalyptus trees and grassy meadows. If you've ever driven up the 101 fwy towards headed for San Luis Obispo then you've driven right past this stand of trees. Many of the migrant farm workers during the depression used these tree stands in Nipomo for shaded camps to live in. Dorothea Lange stopped in this area to take pictures of these workers as part of her work showing the conditions caused by the depression for the Farm Security Administration. When I walk among these trees I feel a deep reverence for the farm workers and families effected by the depression. To imagine people living in tents or lean to's and out of cars among these trees and in the heat of the day working in the nearby fields is a very humbling experience. It reminds you to never take for granted the lives we live because it all can be taken away like it was for so many back during the depression.

Life went on even during the depression and adversity as well as back breaking work is what got most people through it. During the depression my grandparents picked pecans in Texas and to help get by my grandpa broke horses. Once the horses were somewhat gentled he had my grandma get on the saddle first because she was lighter than him.

People, like trees, carry on in life. As time goes by they are replaced by the young. This sappling reminds me of that cycle...that life will go on despite the experiences, and sometimes ordeals, life will throw at us all.

Mojave Desert Light

"Mojave In Gold"

24" X 30" Oil on Canvas
This was painted from reference photos taken near the town of Little Rock, CA up in the Mojave Desert. The plan was to go plein air paint that day but I kept stopping on the way there so by the time I got there it was late afternoon and super cold. Instead of painting I just took reference photos until the sun went down. Not a waste of time since reference photos would give me what I needed to do paintings here in the studio. This area is just above Pearblossom highway and sundown was bringing in some awesome light. I love the desert in the evening and enjoy what the light can do to the colors up there. I think I could spend the rest of my life trying to capture the colors of the Mojave...even the dirt looks good when the sun is just right.

Eaton Canyon At Dusk

"Eaton Canyon At Dusk"

36" X 48" Oil on Canvas
A large painting of Eaton Canyon just before sunset. This scene was down in the riverbed in Fall this last year. Being a riverbed in a canyon there were plenty of rocks to paint so I took the liberty of editing many of them out of the scene. This allowed me to add more of the sandy bottom of the streambed and keep things not so busy in the foreground area. Took a few days to paint this one due to the large size but it went pretty smooth. The mountain sides of the canyon are an area I'm still working out to get to the point of feeling comfortable painting them and really loving what I end up with there. I like the progress so far with that part of these canyon paintings because the San Gabriel mountains to me are very hard mountains to paint. Lots of rocks and scrub brush so it is sort of a nightmare to handle for a painter.

In The Arroyo

"In The Arroyo"

22" X 28" Oil on Canvas
I was heading to take reference shots of the Colorado St bridge at the Arroyo Seco in Pasadena. Along the way the path went by these nice sycamore trees casting some nice shadows under the dense canopy. I've been trying to paint more sycamore trees so I decided to paint this scene....shadows, sycamores...win/win. Fun painting to do and full of small challenges along the way. This is a busy painting and one I would have stayed away from painting a couple of years ago. I'm feeling more confident with these types of scenes and am starting to enjoy their challenges. The background foliage is mostly just suggested work and after the initial colors are blocked in it becomes just a matter of suggesting leaves and shadows with bits of color notes. In the end it looks more than it really is...all a matter of suggestion which goes a long way in painting. Below are two images of the early stages of this painting .

Above you can see the background "tree" colors blocked in and at this stage I was starting to add "leaf" detail. Just blocking in the underlying background colors fills up the canvas pretty quick. I did this stage before going to bed and thenit overnight tacking up so in the morning I came back to it and just starting dabbing in the "leaves" and edges of the blocked in colors.

In the upper image you can see more of the background suggested color nots are in and I'm moving on to blocking in the dried leafy trail floor. Once these colors were in I went back over them scumbling with a worn brush and knife adding detail to that area. After a while I just jumped around the canvas dialing it all in until it looked and felt finished....and that's it.

Eaton Canyon

"Eaton Canyon Meadow"

22" X 28" Oil on Canvas

It seems everytime I go to Eaton canyon I end up in the meadow. It is just as you cross the water when hiking from the parking lot of the nature center there. There are some giant oaks and sycamores that line the meadow on one side and the bottom of the San Gabriel mountains on the other. This is the kind of trail my brother and I used to love running along playing as kids set free in the mountains. Lots of fun painting this one.

Here is a detail of the painting.....

I had the good fortune to visit the canyon 3 or 4 times this past year and that's pretty cool considering I now live over 130 miles away. When I was a kid we used to ride our bikes up to the canyon...or just walk if someone had a flat tire. They had the coolest pictures of a hiker who had been biten by a local rattlesnake. Our hikes were mostly in summer so it got pretty hot in the canyon by afternoon. Now I like to go there either in early morning or later afternoon to watch the colors of the San Gabriels ignite as the sun falls into the Pacific ocean. Sometimes the mountainsides are the most amazing pinks, reds and peach colors....just awesome to see this at various times of the year.

Spring Blooms

"Spring Blooms"

9"x 12" Oil on Panel
A painter buddy of mine, Rich Gallego, finished the year with a painting I saw and that was all I needed to get his kick in the butt to do a painting before the year ended but it was less than an hour away from midnight on New Years night. I started this one but had to stop to do the Champagne thing, haha. I finished it today after getting caught up with other needed things. This was painted from a small 5x7 study I did a few months back. I realy liked certain parts of the study and wanted to try a bit of a larger painting. I like the far off mountains but wish I had placed them just slightly higher. I also like the textures and bits of pure color in the foreground poppies. Some paintings are just fun to paint and this was one of those types of paintings....fun one to start the new year off with.
Happy 2011!!!

Summer Above Los Olivos

"Summer Above Los Olivos"

8" X 10" oil on panel
I finished this one just now while enjoying the Pacific storm that rolled in yesterday starting as light drizzle but was pouring all night and this morning. Hopefully Lake Cachuma will fill to it's top with this good chunk of rain we're getting. This hillside is just north of the tiny town of Los Olivos, CA. I drive up there a lot in summer to check out the colors and see what nature has created for artists to have fun with....nature never lets us down.
I had to run down to take Linda Christmas shopping down in Goleta yesterday and was only too happy to find out they now have a Hawaiin BBQ restaraunt there. Yummy! Guess where I'll be stopping on my way down to Pasadena in the future???

Christmas is almost here so in case I don't post anything before then I want to wish everyone who reads this blog a very Happy Christmas and a much better New Years than last year, hahaha.

Nipomo Meadow

"Nipomo Meadow"

30" X 40" Oil on Canvas

This meadow had such a nice bit of sunlight splashed across it when I was up here at the eucalyptus stands in Nipomo off of Hwy 101. I tried to catch that light and still get a nice sense of the darks in the foreground. There were a lot of greens in this painting so it was nice to work on variations of that. You can never get enough practice with greens in landscape work.

I like the large size on this one too and am finding myself really building much more confidence at larger works. This would have taken me forever to paint a few years ago but now it is much faster. Really concentrating on my grasses the last two years has really paid off. It's hard to see most of the detail in the grasses here but on the actual painting they look pretty cool.

I'm still using the Utrecht Artist Oils and really enjoying the process of dialing my mixes in with them. To me the Utrecht paints are very similar to Winsor & Newton Artist Oils. So far so good with the Utrecht's.

Artist Studio Tour 2010

Part of the studio ready to the show early saturday morning

The 2010 Santa Ynez Valley Artist Studio Tour was this last weekend and went very well. That's a big change from last years disaster due to super low sales. Sales were up this year which was a very welcome change. In fact, I had a woman pick up a painting earlier today to take to her home to try it out with the decor and lighting and am waiting on her decision by tomorrow. So this years studio tour has been wonderfully succesful especially when you consider that it rained on both days. Sorry I didn't take any other pictures this year. We had a good amount of people come through so a lot of yaking was going on.

As usual, we offered wine, coffee, cokes and a good selection of snacks to eat. Linda makes what looks like a buffet table and decorates with flowers too. Many of the artists on the studio tour don't go this route figuring they want the people concentrating on purchasing art rather than eating. We've always found that people really enjoy this though...a little pampering so to speak but why not. We've never had a sole tell us they were offended by the offering of a glass of wine and the choice of deciding what to eat....nope, not once.

The crowd as always was a good mix of people who enjoy art. I try and talk with each of them and get a little background on them. It is always interesting to see who really likes art around here and how far they will drive to see the behind the scenes part of it. I make friends and always invite them back. We have a couple of get-togethers before and after the tour for the artists to meet and that's always fun too. Holly Kline and Stacy Ott of the Wildling Museum, which sponsors this event, did a great job and work many, many hours for the tour. I can't thank them enough. Hopefully next years tour will be a success too.

Framed in Black

Loosk pretty nifty!

Well, here is the boat painting in the black frame which really has very dark reddish undertones. I like it but then again I had the idea it would look cool in a dark frame. My general consensus is that landscapes with lots of greens go well in your typical gold frames and marine work...usually lots of blues and greys tends to go better with darker frames...ie black.

Of course I could be totally wrong with that thinking but it seems to work....to me, hahaha. How decisive. I'd be the first to admit framing is better handled by the people buying the work. They know what they want it to look like on their walls so why not let them just buy the canvas and head straight to the frame shop. Sure would make it a lot easier for artists to concentrate on just painting....but that would be in a perfect world. It's nice to present work in a decent frame and I've learned that lesson like a struggling artist usually does. You buy the most affordable, and usually, the cheapest looking frames that "most affordable" gets you. Then one day you look at the work of artists in galleries and then go home to look at your framed paintings and want to kill yourself...."what was I thinking!" is probably a sentance most artists have uttered at one time or another.


If you are serious about selling your work to people who want to buy it make sure you buy good frames...not affordable frames. Look around at professional artists whose work you feel is in the realm of your caliber, or vice versa, and pay attention to the frames. Do your frames look like that? If not then start saving your money for better frames. The presentation makes a world of difference and shows to the buyer you feel your work deserves better frames because it's better work. Hate to sound uppity but if you don't value what you create then why should a buyer value it anymore than you do.

Anyway, I think the boat painting looks really good in this frame...looked good in the other gold frame but I think black tends to go better with this painting. They have this really nice looking black frame that was reproduced from an English designed frame used mainly for landscapes at King Of Frame that I think would make this look even better....something to think about trying out as soon as I hit the California Lotto....by the way, King Of Frame has some killer frames and their prices are pretty darned good too....check them out if you haven't already.

Framing

I've got this one Larsen Juhls frame that I really like that is a 16"X20" frame. I've bounced it around at various shows with different paintings and managed to hang on to it...well, I had 3 oof these frames in this size plus some more but all of those were sold over the years but not this one. I have 3 16"X20" paintings in various stages of drying and wanted to try them out in this frame....2 landscapes and this recent marine painting. I am only showing one of the landscapes here because they both seem to work with this frame so I'm showing the comparison with one of those and the marine painting.
I like the boat in this frame after all. I thought the boat would look better in a darker frame...a dark reddish undertone color (which really looks black until you get really close) or maybe just a black frame...distressed looking black, not flat or glossy black. After trying it out in this frame I think it is now a toss up. This is a 3" wide frame and is readily available from my local framers so ordering another frame wouldn't be a problem. They just order the style from their Larsen Juhl supplier and cut it down to my canvas size. I'd do it myself but I don't have the equipment to cut frame stock (mitresaw) or the other tool to join the corners. I'd look into ordering a black frame online but geeze once I start looking at frames it becomes and obsession.

Shark's Parlour

"Shark's Parlour"

16" X 20" Oil on Canvas
One of the sportfishing boats down in Santa Barbara harbor caught my eye. I have always liked the look of sporfishing boats and love the nice big cockpit area they have for the anglers to do the fishing from. I recently saw an old one for sale and it was designed by the great Phil Bolger back in the early 60's...totally awesome looking boat.
When painting a mostly "all white" boat you really find yourself looking at the various shades of whites, off whites, creams, blues, greys...they are usually all in there some place you just have to seperate them on your canvas. Doesn't soiund like a big deal but those colors can fool you at times and then it gets interesting, hahaha.