1 ) Above shows the block in...laying in the base colors of each specific area of the scene. When I block in I tend to start with the sky and background, then move forward from there. I spend a little more time with the background trying to actually finish it up before moving forward so the trees back there are pretty much about what they will look like when the painting is finished. Later I will do some small tweaking of the background to tie it in with the foreground more but not much.
2 ) My foreground shadow colors are in and later I will add the highlights there to give that large shady area some dappled light coming through the trees overhead from the left and slightly behind the scene here. The tree darks are put in as thin as I can get them before they lose too much color....you don't want them transparent. I use copal painting medium to thin it and that also helps it to tack up a bit before the mid and highlight colors are painted over it. What I don't want is for that area to dry because I don't like painting on dry paint. I like it tacky so I can blend into it where I want it.
4 ) ......and all finished! In painting these scenes of the DFP I have found my "way" of painting in the foreground shadows. I don't worry too much about painting them in exactly the way they will look at the finish. I mix up a dark violet and paint it in...it was either going to be more blue or more red depending on what I wanted....I like more blue but the actual color was more red because of the dirt here....it was a very reddish dirt. Later I add my highlight colors, sort of a dirty pink, I go over some areas of the shadow with either that color or a mix of light blue which lightens parts of the shadows....you can see it in the lighter areas of the shadows. This lighter area gives the illusion of shadowed pink dirt. This is done mainly in the foreground area of the shadow and would be areas in shadow that are getting more reflected or diffused sunlight. In reading articles about painting shadows they tend to have you put your strongest darks of the shadows in the foreground area. I imagine that is an art rule and generally it is probably the way to go. Here in this scene the shadows were varied depending on how much light was being blocked out by thick or thin tree foliage. The other reason I painted the shadow this way was to vary the large dark mass of shadows....instead of a large flat dark area I have "holes" of sunlight streaking across the shadows in random shapes and the values of the rest of the shadows are varied. This keeps it interesting for the viewer, elliminates a boring large flat area of the painting and makes it fun for the artist to play with values. Hope you like it.
4 comments:
It is always interesting to see stages of a paintings development; it offers so much insight into the artist thinking and process. There is that point in a work that all of us call the ugly stage, where things are not exactly working, usually at that step where we are attempting to resolve them in our own artistic eye. It is a lot to digest. That jump to the next stage is probably the most important; I believe it is the stage that separates good work from great work.
Oh, great work.
Hi Jim,
I agree about the stages paintings, and the artist, both go through. I think many paintings never make it past that ugly stage in the early days of painting for the lack of being able to pull it together. Time and pushing yourself eventually lead to good, and then, better finishes. It is so easy to get discouraged in the early stages and I had my share of those paintings, haha.
Thanks for the comments Jim, much appreciated!
Brilliant post. I'll return to this one time after time just to get my head right when I want to paint. Wonderful instruction. Thanks Ron. Painting is great too.
Hi Mick,
Glad you like it. The painting was fun and didn't take very long and luckily I remembered to take progress shots this time. I seem to start paintings with this in mind but after taking the first shot I totally forget to take any others until most of the painting is finished, hahaha. Getting into the painting way too much sometimes.
Thanks Mick!
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