Tuesday, August 13, 2013

Painting and Pen & Ink

Before I painted I used to work mainly with the pen & ink medium. I was fond of the stippling technique and most of my drawings were large pieces...up to 18"x24". That's kind of an insane size to work with considering the small pen nib sizes I used. Stippling is the process of applying single dots of ink one at a time with a Koh In Noor Rapidograph pen. The ink work is usually done over lightly drawn pencil lines used as the guide for the artist to follow. I enjoyed pen & ink work. It's hard on my eyes now but I've loggged thousands of hours dotting away quite happily.

The effect of stippling is much like printed images you see in the newspaper....halftone images, a reprographic printing process, is simply an image being formed by dots of ink creating toned images which I call value images. If you want to better the values in your painting do pen & ink work...you'll see values easily after that.

When I started with pen & ink there were not a lot of art instruction books out there for it. Wanting better compositions I turned to reading painting books. Composition is composition so it worked for me. As for colors you just insert values. One thing about your point of interest is putting it in the right place and then directing the eye there. I had a drawing of a boat that really illustrated this point well.

Here is the initial point of beginning the drawing. Tha man working on the boat was my point of interest. That area should have the darkest darks and lightest lights.
 Continuing on, I began to fill in the rear elements and foreground area....keeping the foreground boat just a bit lighter in value.
Now it was time to finish up and adjust things along the way. You can see how the dark line of the rubber bumper leads right to the figure. The dark edge line of the shadow in the water leads to the figure as well as the nonskid deck surface doing the same. These linear paths leading to the figure help to establish the point of interest. The values kept stronger and darker in the area of the figure draw the eye there to to discover that man working. The foreground boat would normally have the stronger darks and lights but for this drawing with a midground POI the values were kept much lighter in the foreground. It worked.  
You can get very nice control of your values using rapidgraph pens...these are technical ink pens that can be reloaded and used over and over. Many artists today are now using throw away type pens since we now live in that state of mind. Good ones to buy for that are Pygma Micron pens which have acid free archival inks.
My favorite pen....Koh In Noor's Rapidograph which comes in different pen sizes and are refillable.


3 comments:

Monica Burnette said...

Love it, Ron! Miss seeing your ink work. I miss doing mine too! There just aren't enough hours in the day for all the art I want to do...

Ron Guthrie said...

Hi Monica,
We used to have so much fun back in the forum Monica....I miss seeing your work too. That really was a fun time for me. I'd love to do more of it but you're right...the time thing just keeps getting in the way...maybe down the line.

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